HUGUET, Jaume
Spanish Early Renaissance Painter, ca.1415-1492 Spanish painter. He is thought to have spent time in Saragossa in his youth (c. 1435-45), and he subsequently worked in Tarragona before establishing himself in Barcelona in 1448. He must, however, have had contact with painting from Barcelona before he moved there, because the centre panel of an early retable dedicated to the Virgin (Barcelona, Mus. A. Catalunya) from Vallmoll, near Tarragona, shows his awareness of the style of Bernat Martorell in the profiles of the two foreground angels, and of Llu?s Dalmau's Virgin of the Councillors (Barcelona, Mus. A. Catalunya) in the illusionistic painting of the Virgin's jewel-trimmed garments. In other early works, such as the Annunciation and Crucifixion from a small retable (Vic, Mus. Episc.),
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HUGUET, Jaume The Flagellation of Christ dg oil painting


The Flagellation of Christ dg
1450s Wood, 106 x 210 cm Mus??e du Louvre, Paris
Painting ID::  7646 		HUGUET, Jaume
The Flagellation of Christ dg
1450s Wood, 106 x 210 cm Mus??e du Louvre, Paris
   
   
     
HUGUET, Jaume Last Supper sg oil painting


Last Supper sg
c. 1470 Wood, 172 x 164 cm Museu Nacional d'Art de Catalunya, Barcelona
Painting ID::  7647 		HUGUET, Jaume
Last Supper sg
c. 1470 Wood, 172 x 164 cm Museu Nacional d'Art de Catalunya, Barcelona
   
   
     
HUGUET, Jaume Triptych of Saint George (detail) sg oil painting


Triptych of Saint George (detail) sg
1459-60 Panel Museu Nacional d'Art de Catalunya, Barcelona
Painting ID::  7648 		HUGUET, Jaume
Triptych of Saint George (detail) sg
1459-60 Panel Museu Nacional d'Art de Catalunya, Barcelona
   
   
     
HUGUET, Jaume Triptych of Saint George (detail) af oil painting


Triptych of Saint George (detail) af
1459-60 Panel Museu Nacional d'Art de Catalunya, Barcelona
Painting ID::  7649 		HUGUET, Jaume
Triptych of Saint George (detail) af
1459-60 Panel Museu Nacional d'Art de Catalunya, Barcelona
   
   
     
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     HUGUET, Jaume
     Spanish Early Renaissance Painter, ca.1415-1492 Spanish painter. He is thought to have spent time in Saragossa in his youth (c. 1435-45), and he subsequently worked in Tarragona before establishing himself in Barcelona in 1448. He must, however, have had contact with painting from Barcelona before he moved there, because the centre panel of an early retable dedicated to the Virgin (Barcelona, Mus. A. Catalunya) from Vallmoll, near Tarragona, shows his awareness of the style of Bernat Martorell in the profiles of the two foreground angels, and of Llu?s Dalmau's Virgin of the Councillors (Barcelona, Mus. A. Catalunya) in the illusionistic painting of the Virgin's jewel-trimmed garments. In other early works, such as the Annunciation and Crucifixion from a small retable (Vic, Mus. Episc.),

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